Category Archives: Abstract

“March Pines”

“March Pines”

“The snow began, as a faint mist, floating in the air, gradually softening the distant trees”
– Ed Lehming

So it was, that March morning, a day that started out dull, the forecast calling for light snow, which did not seem to materialize as I started my hike. Then slowly, a beautiful and unexpected brightness filled the forest, taking away some of the dull cast of ceaseless clouds that have dominated this winter.

It was at this moment, when I stood surrounded by tall pines, that I noticed the first traces of snowfall. The snow began, gently at first, and the colours of the trees seemed just a bit more intense, a brief flash of vibrancy before the coming squall turned them dark once more.

That cycle of light is quite amazing and once you really experience it, I find it makes you more attuned to the surroundings and that ever-present play of light is what makes photography so enjoyable. Even on a dull and snow filled day in early March.

Nikon D800
Tamron SP 70-200mm f/2.8 Di VC USD @ 70 mm
1/4 sec, f/20.0, ISO 400

For more images like this, please visit my website (images are available for purchase)
http://www.edlehming.com

Advertisements

“Boundaries”


“Like most boundaries, they have two aspects. What is inside it and what is outside, it all depends upon which side you are on”
– Ed Lehming

I’m still in retrospect mode, moving through photos I made last year, considering the thinking behind their creation and the feelings I was experiencing when I made them.

Much of this is influenced by the world around me, though I try my utmost to detach from the negatives constantly bombarding us these days. One of the themes that was inescapable is the concept of boundaries, both physical and conceptual. A boundary is a point of separation, some boundaries have a transition zone and others are abrupt, often driven by the intent of the boundary.

In the case of this photo, the boundary between winter and autumn is quite abrupt, which is what made me stop to consider what I was seeing. The entire autumn in my area has been highly changeable, transitioning from snow, to rain, to sunshine, with snow never remaining on the ground for more than a few days. This also meant that any snowfall was temporary, at best. Here, the shade of the pine trees shelters a section of snow, creating a very defined boundary.

As I made the image, the thought about the nature of boundaries began to form. After all, if I stand on the boundary and look one way, I’m greeted with a snow filled and wintry view. Yet, if I remain in the same spot and turn around, it’s a late autumn day. If I did not have the benefit of seeing the whole picture, I could assume it is one season, when it is not. So, the boundary is, like I noted in my quote, really dependent on which side you are on and which way you are looking. It’s a concept I would like to continue to build on over the next few months.

Nikon D800
Tamron SP 70-200mm f/2.8 Di VC USD @ 92 mm
1/4 sec, f/16.0 ISO 400

For more images like this, please visit my website (images are available for purchase)
http://www.edlehming.com

“Three Along the Way”

“Three Along the Way”

“The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way. Some see nature all ridicule and deformity… and some scarce see nature at all. But to the eyes of the man of imagination, nature is imagination itself.” 
― William Blake

As I walk the local trails, I’m often quite aware that, at some point, the trailblazers and foresters had to make choices about what trees remained and what trees needed to be felled. As the trails meander to and fro, it’s clear that conscious decisions were made to avoid having to cut certain trees.

I suppose, being a cluster of three, tightly grouped, makes you less vulnerable to the chainsaw, however well intentioned. There are many such clusters along the trails and the path always gently flexes around them. For me, each of the trees I pass tell a bit of the story about the formation of this trail system, so many years ago. As the story emerges, I am ever grateful to those who had the foresight to set these lands apart for our future enjoyment, one tree at a time.

Nikon D800
Tamron SP AF 90mm f/2.8 Di Macro 1:1 (272ENII)@90mmm
1/4 sec, f/22.0 ISO 400

“A Shift to Bronze”

“A Shift to Bronze”

“I’m so glad I live in a world where there are Octobers.” 
― L. M. Montgomery

As I prepare for my 2018 Studio Tour, it gives me time to reflect on present photos, as well as those from previous years and I am astounded about how many have been printed, yet I have not taken the time to comment on them.

This image is one of those photos that for one reason or another was set aside. Interestingly, as I was preparing images for the Studio Tour, this one was chosen by three different individuals to be included.

The photo was made last autumn, a week after last year’s Tour. It was interesting, because the Tour weekend falls on the weekend after Canadian Thanksgiving, usually a peak period for autumn colours and I was slightly bemoaning the fact that I was missing out on this.

The day was cool, and windy, but the leaves were still hanging on quite well, despite this. Much of the predominant green and yellow was starting to fade and oranges, golds and bronzes were taking hold. It was the start of my “Golden Paths” series and has become one of my more powerful series of autumn images.

Here, I’m hiking past a familiar cluster of birch trees, with their yellow leaves just starting to wither and backfilled with the golden bronzes of the many beech trees. It really represents that ‘shift’ in colours so prominent at that particular time of year.

Nikon D800
Tamron SP AF 90mm f/2.8 Di Macro 1:1 (272ENII)@90mmm
1/4 sec, f/32.0 ISO 100

“Hillside Path”

“Hillside Path”

“It isn’t enough to pick a path—you must go down it. By doing so, you see things you couldn’t possibly see when you started out; you may not like what you see, some of it may be confusing, but at least you will have, as we like to say, “explored the neighborhood.” The key point here is that even if you decide you’re in the wrong place, there is still time to head toward the right place.” 
― Ed Catmull

This image came together almost immediately. As I stood at the edge of a steep gully, looking across miles of forest for this high vantage point the path along the edge beckoned me forward. I had just changed lenses from my 90mm macro to my 70-200 mm telephoto so that I could shoot a bit wider than my 90mm allowed.

My first glance through my viewfinder yielded this scene. The slightly winding path and the placement of the trees made for a simple composition which nicely represented the scene before me. The slight movement simply accents it and the long exposure saturates the colours a bit more, and also brings life to the image.

This spot was about half way around a loop trail and tied in nicely with my theme of gradual transition from summer to autumn because of the presence of more yellows and oranges. Not quite autumn, but definitely hinting at it; a turn in the path and in the seasons.

Nikon D800
Tamron SP 70-200mm f/2.8 Di VC USD @ 70 mm
1/4 sec, f/18.0 ISO 200

For more images like this, please visit my website (images are available for purchase)
http://www.edlehming.com

“The Gentle Way”

“The Gentle Way”

“Once you have traveled, the voyage never ends, but is played out over and over again in the quietest chambers. The mind can never break off from the journey.” 
― Pat Conroy

This image, while slightly darker than some of my prior posts, represents so well my typical experiences on the trail; bright sunshine streams between the branches light above, the canopy has a slight yellow tinge, as the days shorten, there are wonderful shifts in the light, each tree reflecting a slightly different shade of brown gray, or silver; far in the distance, a bright meadow shows through a gap in the trees, my destination, or just a glade along the trail edge?

The path, soft and sandy, littered with leaves, has become my gentle way. I tread these trails in reverence for the beauty they lead me through and am grateful to those early conservationists who had the foresight to set this land apart, so that I and many more could enjoy the wonder of the forest trails .

Nikon D800
Tamron SP 70-200mm f/2.8 Di VC USD @ 70mm
1/4 sec, f/9.0 ISO 200

For more images like this, please visit my website (images are available for purchase)
http://www.edlehming.com

“The Light that Lights My Way”

“The Light that Lights My Way”

“It is good to have an end to journey toward; but it is the journey that matters, in the end.” 
― Ursula K. Le Guin

Scenes like this are one of the reasons I hike. I’ve referred to these dappled pools of light as “God-Light”, to quote C.S. Lewis. These small patches of golden light, like pools of energy seem to appear on all but the most overcast days. They are but one of the many effects in the forest which have a profound impact on me. In the forest, I feel in tune with my surroundings, the busyness of the workweek fades to a dull memory and my world come alive.

There is more to the light around me, while it lights my way, it warms my spirit and brings out the child in me. I find myself transfixed by the wonderful diversity of the forest paths, and grinning at simple things like a butterfly trying to land in the wind. Many of these scenes go undocumented, too brief to be captured as a photo, but remain with me as beautiful memories of my walks through the woods.

Nikon D800
Tamron SP AF 90mm f/2.8 Di Macro 1:1 (272ENII)@90mmm
1/4 sec, f/10.0 ISO 100

For more images like this, please visit my website (images are available for purchase)
http://www.edlehming.com